Book Details
World English Fiction: Bridging Oneness (Edited Book)
Year Of Publish:
Contents
A Quest for the Otherness at the Crossroads of African Culture: A Study of Achebe Things Fall Apart and Arrow of God
“Monir A Choudhury
The Helpless Male: Breaking with the Traditional Male/Female Roles in C. J. Cherryhs Pride of Chanur and Foreigner
”Krunslav Mikulan
Patriarchy and Racial Vulnerability: Love and Hate in Toni Morrisons Love
“Mahboobeh Khaleghi
Without Contraries Is No Progression: Pictures from Italy (1846) by Charles Dickens
“Elisabetta Marino
Dialectical Exhumation of the Past in Keki Daruwallas For Pepper and Christ
“Asha Viswas
R. K. Narayans The Dark Room: A Twist to Conventional Notions of Feminism
“Ketaki Datta
The Place of Women in an Ecological Dystopia: A Revisit to Atwoods The Handmaids Tale
“Jubimol K. G.
Contemporary Resonance in the Select Novels of Amitav Ghosh and Rohinton Mistry
”Chikkala Swathi
Between Two Worlds: Reading Diaspora in Kavita Daswanis The Village Bride of Beverly Hills
”Charulatha Ravi
The Vision of Freedom in Jhumpa Lahiris The Namesake andRabindranath Tagores Farewell My Friend
”Y. Vidya
Concerns within the Multicultural Mosaic: Henry Hwangs F.O.B. as a Representative Chinese American Play
“Kavitha Gopalakrishnan
Love and Music: The Universal Emotion and Expression in Vikram Seths An Equal Music
”T. Ganga Parameswari
The Footsteps are Lost but Experiences Remain: A Critical Exposition of Silviu Craciunass The Lost Footsteps
”Aju Mukhopadhyay
Alienation and Mother Fixation in Stephen Gills Coexistence
“Rupal Amyn Farista
Indian Omnipresence in Global Literature: Textualising the Diasporic Metaphors in K. S. Maniams The Return and Jhumpa Lahiris The Namesake“Soumya Jose and Sony Jalarajan Raj
Silence and Words as Means of Resistance: A Reading of Resistance to Subalternity in Leopoldo Lugones Yzur Using Western and Indian Aesthetic Theories
”Vani. K
Discourse in Chitra Banerjee Divakarunis Sister of My Heart
“V. Rajesh & J. Jaya Parveen
Journey from Self-alienation to Self-identification as Reflected in Shashi Deshpandes The Dark Holds No Terrors
”Grishma Manikrao Khobragade
Exploring the Feminine Psyche“A comparative study of Zora Neale Hurstons Their Eyes were Watching God and Shashi Deshpandes Roots and Shadows
“S. Ambika
Gora: Tagores Formulation of the Spiritual Domain of Indian Nationalism
“Banibrata Goswami
Post Independence Political Scene as Presented in the Nigerian/African Novel
“Kiran Thakur
Emotional Crisis in Willa Cathers The Professors House
“K. Rajaraman
Githa Hariharans The Thousand Faces of Night: Resistance to Patriarchy
“Sandhya Singh
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